The design of a typeface, hence of an alphabet, is the key to acquiring information both through the written word (semantics) and visual language (semiotics).
The modularity of a typeface makes it possible to go beyond the written word to generate new forms, aggregating, breaking down, and rotating. These posters communicate the need to take possession of shapes and graphic signs again.
Going back to the neo-avant-gardes of the 60s and their experimentation with different languages (such as visual poetry), a new type of materiality is proposed through the fusion of meaning and signifier.
Posters have always been considered like means of communication; in a way, they’re the predecessors of social media.
A defined space, usually rectangular with just a few safe coordinates (up, down, right, left) where infinity occurs, a stage where graphic designers can perform endless visible forms.
Letters or words are the actors who give life to the scene with a precise role. Imagine a cut word or letter entering the stage; the focus is on the action rather than the subject. These words enter the space as a main character would do. Sometimes movements are repeated or modified to tell a story and create dynamism in the composition.
Other times the framing changes, and the stage tilts giving the modules/actors a chance to move diagonally, creating a dynamic composition of union between the cardinal points.
Black and white are a statement of the love for form; the graphic object/subject is distinct to the eye and emerges with no distraction or compromise.
Feel free to find your own meanings and suggestions. Consider it as an “Open work.”
There are no reviews yet.